- FOREWORD by Fergus M. Bordewich -

Before Native American warriors went into battle they composed deeply private songs to inspirit themselves and to prepare, if necessary, for death. But they were also songs of affirmation that incorporated clear-eyed recognition of fate with an embrace of each man’s personal truth and experience. Jack Barschi was not a warrior, in any conventional sense. (He was never conventional.) Indeed, at least in his later life, he avoided open confrontation, not from lack of conviction, but from the belief that life was too fragile and too short to be wasted on conflict, when it could be turned instead to the embrace of what was true, precious, and perishable. Still, there was much that he battled in his ample life. His childhood was difficult, his family ruptured, his search for love and purpose often thwarted.
   In these songs, all written near the end of his life, we hear echoes of all this, of his quiet warfare: sometimes loudly, but more often like the chanting refrains that punctuate his streetwise and tender stanzas. In them, too, we can hear his unflagging disdain for hypocrisy, his self-effacing irony, his salty wisdom, his muscular tolerance of others’ shortcomings, and his unsentimental skepticism about almost everything except those few who against formidable odds penetrated the well-patrolled perimeter of his self-containment. In the multitude of voices and cadences in which he speaks to us, we hear alike the swagger of a much younger Jack—Walked like I was dancing on water/ A buccaneer before the mast— and the always (but never ostentatiously) daring man who adventured across the world, wrestled down inner demons, and finally—most daring of all—eventually surrendered himself to those he loved.

Need to fly and fall and even fail
I live to find
And die when I fear to sail.

   But Jack did sail, far and long, in his own way, encumbered (like all of us) by the weight of the past and of mortality, defying both, strong-limbed and supple, and determined to fill his eyes and heart with as much of the world as they could compass in the years allotted to him. These songs are his farewell to us.

 

Fergus M. Bordewich is a historian who has published numerous books and articles on American history and other subjects. He lives in San Francisco. He was a close friend to Jack Barschi for almost thirty years.


 

Copyright © 2015 Ilona Drozdzik
SBN 978-0-692-44788-8  |  First slipcased, paperback edition published in 2015. Printed and bound in Canada.
Photographs by Marilia Destot & Portrait by Michelle Delguercio | Design by Shawn Dahl, dahlimama inc.

 

 

It Ain’t Over Yet   42 SONGS BY JACK BARSCHI

Looking Out the Window . . . .We Live In a Forest. . . . The Song of the Turtle. . . Snow Coming Down Blues. . . . Can’t Say Good-bye . . . . Not So Far Away . . . . . . It Ain’t Over Yet . . . . . . After the Fall . . . . . . . . When I See a Schooner in a Bay. . . . . . Go Your Way . . . . . . . . . . . . . A Red Bird. . . . . . . . . . . . . . . Who Will You Be.......... Ain’t No Blues in Sunshine . . . . . Time to Go. . . . . . Gonna Find Myself a Sugar Daddy...........If I Had Wings . . . . . . . . She Don’t Give You Nothin . . . . Can’tWait. . . . . . . . . . . Sometimes the Snow. . . . . Where You Been . . . . . . . When I Close My Eyes . . . .Girls in Summer Dresses . . . . Don’t Tell Me What to Do . . . . The Darker Side of Occupied. . . . Twitching Proudly . . . . . . . Let Me Be . . . . . . . . . . . . Slips from My Grasp . . . . . . Marble and Steel from Sante Fe. . . . Just Another Horny Cowboy. . . The Lord Made Each of Us for Fun. . . .A Little Bit of the Divine . . . . . . Route One Towards Monterey . . . Waiting for the Six-O-Eight . . . . Biding My Time Blues . . . . . . . . The Lord’s A-Gone-A-Fishing. . . I Don’t Believe in Songs of Love . . . . Ain’t Been With Anyone . . . . . . The Streets Were Mine . . . . . . . The Forbes A-List . . . . . . . . . . Raise My Hands . . . . . . . . . . . A Life in Tandem . . . . . . . . . . . The Good Old Days . . . . . . . .